Dengler, Sarah (2007): Zur diskursiven Dialektik des Trivialen in Kunst und Kommerz: von Pablo Picassos Collagen und Duchamps Readymades zu Jeff Koons' "Factory Production". Dissertation, LMU München: Faculty of History and the Arts
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| PDF - Klicken Sie auf das PDF-Icon, um die Dissertation im Volltext herunterzuladen. 17Mb |
| Item Type: | Thesis (Dissertation, LMU Munich) |
|---|---|
| Dewey Decimal Classification: | 700 Arts and recreation > 750 Paintings and paintings (museums) 700 Arts and recreation |
| Faculties: | Faculty of History and the Arts |
| Language: | German |
| Date Accepted: | 16. July 2007 |
| 1. Referee: | Crone, Rainer |
| Persistent Identifier (URN): | urn:nbn:de:bvb:19-97456 |
| MD5 Checksum of the PDF-file: | e7bcddf5e4e35157ac2cf3422572fb37 |
| Signature of the printed copy: | 0001/UMC 17678 / 0001/UMC 17679 |
| ID Code: | 9745 |
| Deposited By: | Sarah Dengler |
| Deposited On: | 24. Mar 2009 14:59 |
| Last Modified: | 26. May 2009 13:22 |
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